Ruffner Family Reunion 2025

     The Ruffner Family reunion took place at the Ruffner homestead in Luray, Virginia. Many dependents of Peter Ruffner from Bern, Switzerland, 1739 were in attendance for different presentations. 

    One of the more interesting presentation was by a Ruffner who started the Glasshouse Butterfly Company. She informed the gathering about the mating places in Mexico, the chemicals that are harmful the a butterfly's habitat, and the pollination effects that help the human population grow food.

    The Glasshouse has a website:

Amelia@GlassHouseButterflyFarm.com

phone # 540.975.3060

I am studying connections with Charles Cist, the Ruffners, the Browns, and other European families that sponsored ships to the British Colonies during the mid 1750's.

Windsor Ontario Art Gallery 04-22-2025

 The Plenty of Seeds exhibit by Obi-Cree artist Jessica Rachel Cook was worth the drive to Windsor.  Here are a number of interpretations from my own journey.

The wall installation of Under the Blanket offered many interpretations beginning with the idea of a person sitting at a dinner table and reviewing in one own mind of how to use the eating utilizes at a formal dinner party. The salad fork, then the main course fork and knives, then the dessert spoons, etc. One the left side of the pew wheel are five typically male tools, wheat cycle, saw, pick fork, larger wheat cycle, etc. on the right side are typical ladies tools, washing board, scissors, meat slicer, etc. which one to use first.  Which tools to start the day with, others to uses in the afternoon. Of course, starting out the day in prayer is a reflection of the pews with different items inside the refurbished church pews reflect. I am still looking at the different colors at the end of each pew, black, red, yellow, white.

I found this exhibit to be very respectful. Something that is respectful, but has been possible under the blanket and is being aired out.

Attending to Spiritual Life in Mt Healthy, Ohio

The Significance of Religious Freedom in Mount Healthy's Early Settlers

Religious and political freedom played a vital role in the lives of early settlers in Mount Healthy. Many of these individuals held deep religious beliefs that shaped their daily lives and community interactions. Among them, German immigrants sought refuge from religious persecution and the political unrest plaguing their homeland. Consequently, local Lutheran, Methodist, and Catholic churches conducted services in German, a practice that persisted until the World War I era when anti-German sentiment rose.

In 1826, the Mount Pleasant Union Meeting House was founded as a welcoming space for all denominations, embracing the principle of "the use of all denominations and the exclusion of none." The first congregations to utilize the meetinghouse were Presbyterians, United Brethren, and Lutherans. Over time, as these small groups of worshipers expanded, they eventually built their own churches. By 1853, the majority of these congregations had transitioned into their own church buildings, contributing to Mount Healthy's skyline, characterized by a multitude of church steeples.

The Church of the Assumption congregation, meanwhile, gathered in nearby Catholic churches until their community grew large enough to warrant constructing their own place of worship. While several of the churches organized at the meetinghouse continue to exist today, others, such as the African American church and the Presbyterian church, have since disappeared. Notably, the Mount Pleasant Presbyterian Church ceased operations in 1874 after numerous Presbyterians migrated closer to the newly established College Hill Presbyterian Church.

Throughout its history, the meetinghouse also hosted a variety of other religious groups, including Christian Connection, Swedenborgians, Restorationists, Unitarians, Universalists, Old School Baptists, Mormons, and Quakers. However, many members of these groups eventually moved on to join other churches and communities.

Early Mount Healthy pioneers were frequently laid to rest in family plots on their farms. The city is home to several cemeteries, with the Hoffner Graveyard once serving as the yard of the United Brethren Church. The Steward Graveyard eventually transformed into the Mount Pleasant Cemetery, featuring three distinct sections: Protestant, African American, and St. Mary Catholic. Additionally, the Arlington Memorial Gardens, opened in 1932, remains an active burial place for Mount Healthy residents.

Although this chapter primarily examines the earliest churches in Mount Healthy, it is crucial to recognize that numerous young and thriving churches continue to shape the area's spiritual landscape. The ongoing diversity of religious beliefs in and around the community serves as a testament to the enduring importance of religious freedom in Mount Healthy's rich history.

"Aunt Sallie" LaBoiteaux, as she was known, was a lifelong member of the Mt. Healthy Christian Church. For over 50 years, she taught primary age boys in Sunday school. On her 86th birthday, her boys sent postcard greetings from around the world. She was the daughter of early pioneers Ben and Mary (Gogin) Runyan and the wife of Frederick LaBoiteaux, whose grandfather plotted Mount Pleasant in 1817.

Jacob Cist

 Jacob Cist, born on March 13, 1782, in Philadelphia, Pennsylvania, was a man of many talents and accomplishments. His contributions spanned various fields, including entrepreneurship, art, science, invention, and entomology. Cist's diverse skill set made him an influential figure in the early 19th century, particularly in the Wyoming Valley of Pennsylvania.

Educated at the Nazareth Boys' School of the Moravian Church from 1794 to 1799, Cist developed a passion for drawing and painting under the tutelage of French drawing-master M.A. Benade. His artistic prowess became widely recognized, with his sketches of "Solomon's Falls," "Buttermilk Falls," and an array of plants and insects showcasing his keen eye for detail and beauty.

In 1803, Cist demonstrated his inventive spirit by creating and patenting a mill for grinding pigment. This invention not only streamlined the process of pigment production but also contributed to the growth of the paint industry in the United States.

Cist's creative talents extended beyond the visual arts. He also designed banknotes for The Susquehanna Bank of Wilkes-Barre, marking an early effort to establish a local bank in the region. These banknotes, adorned with intricate designs, were testament to Cist's versatility as an artist and his impact on the financial landscape of the area.

As an entrepreneur, Cist made a name for himself in the anthracite coal industry. He became a pioneering figure in the marketing of anthracite coal and was highly regarded for his extensive knowledge of its economic potential. Cist played a crucial role in promoting the use of anthracite coal as an alternative energy source, thus contributing to the development of the Wyoming Valley.

Apart from his artistic and entrepreneurial endeavors, Cist was also a dedicated naturalist and entomologist. His curiosity and passion for the natural world led him to study and document various flora and fauna, making significant contributions to the field of science.

Jacob Cist's life was tragically cut short on December 30, 1825, but his legacy as a multi-talented pioneer endures. His accomplishments in art, science, and industry have left a lasting impact on Pennsylvania's cultural and economic landscape, cementing his place in the annals of American history.

Fife and Drum Music in Colonial Times and Military Camp Life

 

Fife and drum music held a pivotal role in both colonial times and military camp life during the Revolutionary War era, serving as a melodic communication system for soldiers. Different tunes were played to signal various aspects of daily life and special occasions.

In military camps, fife and drum music was essential for organizing the soldiers' day. Specific tunes were designated to communicate daily tasks such as waking up, eating meals, and performing camp chores. These melodies effectively regulated the working day, ensuring that everyone remained coordinated and on schedule.

Beyond the routine tasks, fife and drum music was also integral in maintaining morale and fostering camaraderie among the troops. Musicians would often play lively, uplifting tunes during leisure hours to entertain the soldiers and create a sense of unity within the camp.

During special occasions, such as ceremonies or celebrations, more elaborate and formal compositions would be performed. These pieces would convey the importance and solemnity of the event, highlighting the shared experiences and values that bound the soldiers together.

In addition to its practical uses in the military camp, fife and drum music was deeply rooted in colonial life. As an extension of the European tradition, fife and drum ensembles were a popular form of entertainment and community engagement. Local musicians would perform at gatherings, celebrations, and public events, showcasing the vibrant musical culture that flourished in the colonies.

In conclusion, fife and drum music played a significant role in both the daily routines and the special events of colonial times and military camp life. By providing a means of communication, fostering camaraderie, and enriching cultural experiences, fife and drum ensembles contributed immensely to the social fabric of the Revolutionary War era.

Robert Scott Duncanson's connection with LaBoiteaux and Marston Allen family.

 

Isaac Newton LaBoiteaux's house in Mt. Healthy, Ohio as painted by Robert Scott Duncanson in the National Gallery, Washington, DC.

This is a portrait by John Jay Aubrey of Marston Allen, Glendale, Ohio. The portrait hung at the downtown Ohio Mechanics Institute in Cincinnati, Ohio for many years until the new building of the University of Cincinnati was built.

This Robert Scott Duncanson painting has been in the Marston Allen's family for many generations.  The painting was in our posesion until the late 1990's until it was sold.  Marston Allen was on a committee that helped Duncanson travel to Europe to England, Sweden, and elsewhere.

The Enduring Influence of Isaac Newton LaBoiteaux Sr. and Marston Allen on Ohio's Cultural Landscape

The family names LaBoiteaux and Allen hold significant historical importance in the communities of Glendale, Mount Healthy, and College Hill, Ohio. Key figures such as Isaac Newton LaBoiteaux Sr. and Marston Allen played vital roles in shaping these areas during the 19th century, leaving a lasting legacy that continues to impact Ohio's cultural landscape.

Isaac Newton LaBoiteaux Sr. (1828-1894) was an influential figure in the College Hill area, having owned and resided in the Octagonal House, an architectural landmark that is now the site of the Hammond North Condominiums and LaBoiteaux Woods. LaBoiteaux's legacy is preserved by the College Hill Historical Society, which maintains photographs and additional information about his family. Additionally, LaBoiteaux Sr. was a member of the Ohio Society of the Sons of the American Revolution, linking him to Captain John Laboiteaux, who fought in the Revolutionary War.

Marston Allen was another pivotal individual, contributing significantly to the development of Glendale, Mount Healthy, and College Hill.

Bracebridge, Ontario Ojibway 2024 POW WOW

 The Bracebridge, Ontario 2024 Ojibway and Iroquois Indian POW WOW was well attended. 

The 2024 Ojibway Indian POW WOW: Embracing In-Person Experience and Spiritual Connection During Canada Day in Bracebridge, Ontario

The town of Bracebridge, Ontario, is set to host the highly anticipated 2024 Ojibway Indian POW WOW, an event that brings together communities to celebrate and honor the traditions and heritage of the Ojibway First Nations people during Canada Day on July 1st. This annual gathering, held in the heart of the Muskoka region, highlights the importance of cultural identity and tribal life in contrast to secular living while fostering a deeper understanding and connection through in-person experience and spiritual exploration.

The Ojibway Indian POW WOW, scheduled for Canada Day 2024, aims to foster understanding, appreciation, and respect for indigenous cultures. The event features a variety of traditional dances, music, and craftsmanship, offering visitors the chance to experience the vibrant and diverse cultural practices of the Ojibway people in person. To preserve the sanctity of the experience and encourage genuine connection, video recording of the ceremony is not permitted, emphasizing the value of in-person participation.

This celebration serves as a platform for indigenous artists, performers, and craftspeople to showcase their talents and share their stories with a wider audience. As an integral aspect of tribal life, the powwow stands in contrast to the more secular celebrations that typically take place on Canada Day, highlighting the importance of cultural identity for the Ojibway people. By attending the event in person, visitors can engage with the rich, sensory experience of the performances and gain a deeper appreciation for the intricate details and energy that permeate the atmosphere.

In addition to the captivating performances, attendees can explore a variety of vendors showcasing authentic indigenous crafts and artwork. The powwow is an excellent opportunity for visitors to engage directly with artisans and learn more about the stories, techniques, and cultural significance behind their creations. From intricate dreamcatchers to hand-carved wooden sculptures and jewelry, there is no shortage of treasures to admire and appreciate at this event.

As attendees witness the powerful performances and immerse themselves in the rich cultural tapestry on display, they are also invited to delve into the spiritual explanations that underpin the event. By gaining insight into the underlying beliefs, meanings, and symbolism associated with the powwow and its practices, visitors can develop a more profound understanding of the connections between these practices and the spiritual worldview of the Ojibway people.

The town of Bracebridge, located on the traditional territory of the Ojibway Nation, is the ideal setting for the powwow. Surrounded by the natural beauty of the Muskoka region, the event is a celebration of the deep connection that the Ojibway people have with the land. As participants and spectators come together to honor and celebrate the traditions of the Ojibway First Nations during Canada Day, the event will undoubtedly strengthen ties between indigenous and non-indigenous communities and leave a lasting impact on the hearts and minds of those fortunate enough to attend.

In conclusion, the 2024 Ojibway Indian POW WOW promises to be an unforgettable experience for all involved, offering a unique opportunity to embrace both the in-person experience and spiritual connection that underscore this vibrant celebration of indigenous culture.